You’ll see the tri-wheel, the auto balance, saturation, hue, and so on (Figure 3). Click the image to see it at full size.Ĭoming down through the top, you’ll see that Colorista has a lot of the same control panels you would expect to see in most other color effects.
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Creating a Bezier mask using Colorista in Premiere Pro.
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You can do that right in Colorista, and we’ll look more at that later.įigure 3. You might just want to select that color, like you would do in applications such as Photoshop and After Effects. For example, when you have a moving subject, like the oar, which moves a lot and dips in and out of the water, you won’t necessarily want to create a mask even if it could be tracked. You can create a square, circle, ellipse-any shape you need, you can create right there. Right at the top, you’ll see that Colorista uses Adobe’s built-in masking tools, so you can create a bezier mask of any shape ( Figure 3, below). Dragging the Colorista effect onto your clip in Premiere Pro.
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I’ve already chosen a frame that I like because it shows all the colors that I want to adjust in Colorista.įigure 2. All you have to do is drag it over, just like any other effect, onto the clip you’re editing ( Figure 2, below). Once you’ve installed Colorista, it will show up in your Effects panel in Premiere Pro and other NLEs in similar ways. Working With Colorista as a Premiere Pro Plug-in But you will see through this tutorial that Colorista can do a lot of complicated effects, because you can layer it like you can in other grading applications with primary and secondary layers of color. If you’re editing in Premiere Pro, using Colorista for your col grading keeps you from having to use the direct link over to SpeedGrade and back unless you wanting to do something extremely complicated. Well, not really destroy it, but I am going to make it have a very different quality-maybe not something that you would expect to see in footage like this.Ĭolorista is a powerful plugin that keeps you from having to bounce back and forth amongst different applications. I like this footage just the way it is, but I am going to destroy it with Colorista. The East Tennessee kayaking footage we’ll work with in this tutorial. You’ll see all these visual elements at different angles on the kayak and the kayaker in the video that accompanies this article.įigure 1. We’ve got some nice green trees, some rich earth tones in the rocks and water, some vibrant red, and a few other colors ( Figure 1, below). There’s some side lighting, the sun is still fairly low, and since it’s getting late in the season, the sun doesn’t rise up as directly overhead. It was shot on a late summer morning, and it’s got some nice color. I have some footage that I shot last year of a friend doing some kayaking on a river not too far from me in East Tennessee. If you have, you’ll notice one of the things that has changed is its simplified interface. If you haven’t used Colorista before, this will be a good introduction for you. When running in Trial Mode, Magic Bullet Suite 12 will time out after 30 days.īe sure to check out the Compatibility page for operating system and format/codec compatibility.In this article I’ll be taking a look at Colorista III, a color grading plug-in which is part of the Magic Bullet Suite from Red Giant Software. All Magic Bullet Suite 12 updates are fully functional, but run in Trial Mode, without a serial number. You can purchase Magic Bullet Suite 12 or download a trial version. – Works in Multiple Host applications including Premiere Pro and After Effects. – Create LUTs for use in BulletProof, or read LUTs generated there. – Export a 1D or 3D LUT to easily communicate color with compliant software. – Cleans up footage shot in low light or at high ISOs. – Intuitive, simple controls to keep skin looking natural and consistent. – Quickly balance skin tones, reducing wrinkles and remove blemishes. – The fastest way to make your talent look their best. You can watch the Magic Bullet Film 1.0 quick start guide here. – Includes accurate, measured film grain and a foolproof vignette tool. – Mix and match 22 negative stocks and 4 print stocks. – Emulates the entire photochemical process for an authentic look. – Highly customizable – Cool things off, warm them up, bleach them, and more. – Instantly gives your footage an action movie color grade. The look of a Hollywood blockbuster in seconds. – Integrated with the masking features built in to Adobe AE and PPro. DMCA Top queries Top downloads Last queries Top views Red Giant Magic Bullet Colorista II v1.0 Rating 8. We have the largest serial numbers data base. – Essential, powerful color correction tools for the Pro. Serial key for Red Giant Magic Bullet Colorista II v1.0 can be found and viewed here. – Color Correct directly on your timeline – stay in your host-app. Professional color correction for filmmakers.